LIGHTING DESIGNER
CHISWICK PLAYHOUSE, 2021
๐๐ฐ๐ญ๐ญ๐ฐ๐ธ๐ช๐ฏ๐จ ๐ต๐ฉ๐ฆ๐ช๐ณ ๐ณ๐ช๐ท๐ฆ๐ต๐ช๐ฏ๐จ ๐ข๐ฏ๐ฅ ๐ฆ๐ญ๐ฆ๐ค๐ต๐ณ๐ช๐ง๐บ๐ช๐ฏ๐จ ๐ง๐ช๐ท๐ฆ-๐ด๐ต๐ข๐ณ ๐ฑ๐ญ๐ข๐บ ๐๐ฆ๐ญ๐ช๐ท๐ฆ๐ณ๐บ, ๐ข๐ค๐ค๐ญ๐ข๐ช๐ฎ๐ฆ๐ฅ ๐ฅ๐ถ๐ฐ ๐๐ฏ๐ฅ๐บ ๐๐ข๐ญ๐ฌ๐ฆ๐ณ (๐๐ฉ๐ฆ ๐๐ต๐ฐ๐ณ๐บ ๐ฐ๐ง ๐๐ณ๐ข๐ค๐บ ๐๐ฆ๐ข๐ฌ๐ฆ๐ณ) ๐ข๐ฏ๐ฅ ๐๐ฆ๐ด๐ญ๐ฆ๐บ ๐๐ข๐ฏ๐ฏ๐ช๐ฏ๐จ (๐๐ฉ๐ฐ๐ด๐ต๐ธ๐ข๐ต๐ค๐ฉ) ๐ฉ๐ข๐ท๐ฆ ๐ต๐ฆ๐ข๐ฎ๐ฆ๐ฅ ๐ถ๐ฑ ๐ฐ๐ฏ๐ค๐ฆ ๐ฎ๐ฐ๐ณ๐ฆ ๐ต๐ฐ ๐ฑ๐ณ๐ฆ๐ด๐ฆ๐ฏ๐ต ๐ต๐ฉ๐ช๐ด ๐ฏ๐ฆ๐ธ ๐ฑ๐ช๐ฆ๐ค๐ฆ.
๐๐ฉ๐ช๐ด ๐ฉ๐ฆ๐ข๐ณ๐ต-๐ธ๐ข๐ณ๐ฎ๐ช๐ฏ๐จ ๐ข๐ฏ๐ฅ ๐ถ๐ฑ๐ญ๐ช๐ง๐ต๐ช๐ฏ๐จ ๐ณ๐ฐ๐ฎ๐ข๐ฏ๐ต๐ช๐ค ๐ค๐ฐ๐ฎ๐ฆ๐ฅ๐บ ๐ฆ๐น๐ฑ๐ญ๐ฐ๐ณ๐ฆ๐ด ๐ต๐ฉ๐ฆ ๐ฉ๐ช๐ญ๐ข๐ณ๐ช๐ฐ๐ถ๐ด๐ญ๐บ ๐ณ๐ฐ๐ค๐ฌ๐บ ๐ฑ๐ข๐ต๐ฉ ๐ฐ๐ง ๐ต๐ฉ๐ฆ ๐ต๐ธ๐ฐ ๐ฎ๐ฐ๐ด๐ต ๐ถ๐ฏ๐ญ๐ช๐ฌ๐ฆ๐ญ๐บ ๐ค๐ฉ๐ข๐ณ๐ข๐ค๐ต๐ฆ๐ณ๐ด ๐ข๐ด ๐ต๐ฉ๐ฆ๐บ ๐ต๐ณ๐บ ๐ต๐ฐ ๐ง๐ช๐ฏ๐ฅ ๐ญ๐ฐ๐ท๐ฆ. ๐๐ฉ๐ฆ ๐ฑ๐ญ๐ข๐บ ๐ฆ๐น๐ฑ๐ญ๐ฐ๐ณ๐ฆ๐ด ๐ต๐ฉ๐ฆ ๐ฃ๐ข๐ญ๐ข๐ฏ๐ค๐ฆ ๐ฐ๐ง ๐ฉ๐ช๐จ๐ฉ๐ง๐ญ๐บ๐ช๐ฏ๐จ ๐ค๐ข๐ณ๐ฆ๐ฆ๐ณ๐ด ๐ข๐ฏ๐ฅ ๐ฎ๐ฐ๐ต๐ฉ๐ฆ๐ณ๐ฉ๐ฐ๐ฐ๐ฅ ๐จ๐ฐ๐ข๐ญ๐ด ๐ธ๐ช๐ต๐ฉ ๐ข๐ญ๐ญ ๐ต๐ฉ๐ฆ ๐ฉ๐ฆ๐ข๐ณ๐ต ๐ข๐ฏ๐ฅ ๐ฉ๐ถ๐ฎ๐ฐ๐ถ๐ณ ๐ฐ๐ง ๐ข ๐ณ๐ฐ๐ฎ ๐ค๐ฐ๐ฎ.
๐๐ฐ๐ด๐ฆ ๐ฉ๐ข๐ด ๐ค๐ข๐ณ๐ท๐ฆ๐ฅ ๐ฐ๐ถ๐ต ๐ข ๐ด๐ถ๐ค๐ค๐ฆ๐ด๐ด๐ง๐ถ๐ญ ๐ค๐ข๐ณ๐ฆ๐ฆ๐ณ ๐ง๐ฐ๐ณ ๐ฉ๐ฆ๐ณ๐ด๐ฆ๐ญ๐ง ๐ฃ๐ข๐ด๐ฆ๐ฅ ๐ฐ๐ฏ ๐ข ๐ญ๐ช๐ง๐ฆ๐ต๐ช๐ฎ๐ฆ ๐ฐ๐ง ๐ฉ๐ข๐ณ๐ฅ ๐ธ๐ฐ๐ณ๐ฌ, ๐ฃ๐ถ๐ต ๐ฏ๐ฐ๐ธ ๐ฉ๐ฆ๐ณ ๐ฃ๐ช๐ฐ๐ญ๐ฐ๐จ๐ช๐ค๐ข๐ญ ๐ค๐ญ๐ฐ๐ค๐ฌ ๐ช๐ด ๐ต๐ช๐ค๐ฌ๐ช๐ฏ๐จ โ ๐ญ๐ฐ๐ถ๐ฅ๐ญ๐บ. ๐๐ฏ ๐ฆ๐น๐ค๐ฉ๐ข๐ฏ๐จ๐ฆ ๐ง๐ฐ๐ณ ๐ข ๐ด๐ฐ๐ง๐ข ๐ต๐ฐ ๐ด๐ญ๐ฆ๐ฆ๐ฑ ๐ฐ๐ฏ, ๐๐ฅ๐ข๐ฎ ๐ข๐จ๐ณ๐ฆ๐ฆ๐ด ๐ต๐ฐ ๐ฉ๐ฆ๐ญ๐ฑ ๐๐ฐ๐ด๐ฆ ๐ง๐ช๐ฏ๐ฅ ๐ข ๐ด๐ถ๐ช๐ต๐ข๐ฃ๐ญ๐ฆ ๐ง๐ข๐ต๐ฉ๐ฆ๐ณ ๐ง๐ฐ๐ณ ๐ฉ๐ฆ๐ณ ๐ค๐ฉ๐ช๐ญ๐ฅ ๐ธ๐ฉ๐ช๐ญ๐ฆ ๐ถ๐ฏ๐ข๐ธ๐ข๐ณ๐ฆ ๐ฉ๐ฆโ๐ด ๐ง๐ข๐ญ๐ญ๐ช๐ฏ๐จ ๐ช๐ฏ ๐ญ๐ฐ๐ท๐ฆ ๐ธ๐ช๐ต๐ฉ ๐ฉ๐ฆ๐ณโฆ
THE TEAM:
Performed by Jacoba Williams and Derek Murphy
Directed by Lesley Manning
Written by Andy Walker
Set Design by Humphrey Jaeger
Lighting Design by Timothy Kelly
Sound Design by Matt Tarbuck
Stage Management by James Holdsworth
Photos
ยฉ Molly Manning Walker
Reviews
The one room location works well without feeling too claustrophobic, and Lesley Manningโs direction brings the lighting and sound design together perfectly to suggest the passage of time, with the outside world suggested through closed blinds giving a little glimpse of light.